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3. erweiterte Auflage Dieser Band dokumentiert das Schaffen von Alvin Lucier – einer der Schlüsselfiguren der experimentellen Musik des 20. Jahrhunderts. In Gesprächen, Essays, Interviews, Prosa-Partituren und Einführungstexten entfaltet sich ein einzigartiges klangliches Universum, das sich um Themen wie Resonanz, Raum, Wahrnehmung und Reduktion dreht. Von Klassikern wie „I am Sitting in a Room“ oder „Music for Solo Performer“ bis hin zu Installationen, Tagebuchnotizen und Kollaborationen mit John Cage zeigt das Buch, wie Lucier immer wieder die Grenzen des Hörens erweitert hat.
Inhalte:
Prefaces
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Details für „Reflections Interviews, Scores, Writings“
3. erweiterte Auflage Dieser Band dokumentiert das Schaffen von Alvin Lucier – einer der Schlüsselfiguren der experimentellen Musik des 20. Jahrhunderts. In Gesprächen, Essays, Interviews, Prosa-Partituren und Einführungstexten entfaltet sich ein einzigartiges klangliches Universum, das sich um Themen wie Resonanz, Raum, Wahrnehmung und Reduktion dreht. Von Klassikern wie „I am Sitting in a Room“ oder „Music for Solo Performer“ bis hin zu Installationen, Tagebuchnotizen und Kollaborationen mit John Cage zeigt das Buch, wie Lucier immer wieder die Grenzen des Hörens erweitert hat.
Inhalte:
Prefaces
Pauline Oliveros: Poet of Electronic Music
James Tenney: The Eloquent Voice of Nature
Interviews with Douglas Simon
. . . to let alpha be itself. Music for Solo Performer
. . . and listen to the ocean again. Chambers
Taking Slow Audio Photographs of the Space. Vespers
Every room has its own melody. I am sitting in a room
Imitating One Set of Sounds with Another. Memory Space
A Metaphor for Ones Life. Quasimodo the Great Lover
Composite Identities. The Duke of York
Imaginary Imagery. Gentle Fire
Seeing Sound. The Queen of the South, Tyndall Orchestrations
Making Audible That Which Is Inaudible. Still and Moving Lines of Silence in
Families of Hyperbolas
Do you know how robins turn their heads to listen? Outlines of Persons and
Things, Bird and Person Dyning
The Poetry of Science. Music on a Long Thin Wire
Sound Shadows. Directions of Sounds from the Bridge
Interviews with Daniel Wolf
The gods appear out of nowhere. Crossings, Nothing is Real
The sound melts into the environment. Fragments for Strings, Navigations for
Strings
The simple is the difficult. Panorama, Six Geometries
Conversations
Creating a new kind of a music for me
. . . when you stutter, you scan the language
With and without a purpose
Discovery is part of the experience
Im cutting things down to their simplest form
The form of the piece is a search
You never know whats going to happen
About Own Work
Music for Solo Performer 1965
The Making of North American Time Capsule
Program Proposal for Pepsi-Cola Pavilion
The Propagation of Sound in Space
The Tools of My Trade
Clocker
Sferics
Seesaw
Wall with Vertical Slit
Sound on Paper
Pasta for Tired Dancers
Thoughts on Installations
Skin, Meat, Bone
String Quartets
Origins of a Form
My Affairs with Feedback
Fruits and Vegetables
About Others
A Letter to Frederic Rzewski
An Open Letter to the Artistic Director of the Ojai Music Festival
I Remember Morty
Collaborations with John Cage
Soba
The Sonic Arts Union
Avant-garde and Experiment
The Future of Our Music
Preface to Robert Ashleys book Outside of Time
Notes on Verbal Notation
The Local is the Universal
In Memoriam David Tudor, Robert Ashley, Reinhard Oehlschlägel, Pauline
Oliveros
Scores
Music for Solo Performer
Shelter
Chambers
Vespers
The Only Talking Machine of Its Kind in the World
I am sitting in a room
Memory Space
Hymn
Quasimodo the Great Lover
The Duke of York
Gentle Fire
The Queen of the South
Tyndall Orchestrations
Still and Moving Lines of Silence in Families of Hyperbolas
Outlines of Persons and Things
Bird and Person Dyning
Music on a Long Thin Wire
Directions of Sounds from the Bridge
Ghosts
Words on Windy Corners
Lullaby
Music for Pure Waves, Bass Drums and Acoustic Pendulums
Risonanza
Precious Metals
Attaché Case
Silver Streetcar for the Orchestra
Carbon Copies
Music for Snare Drum, Pure Wave Oscillators and One or More Reflective
Surfaces
Indian Summer
Music for Cello with One or More Amplified Vases
Music for Piano with Half-closed Lid
Empty Vessels
Program and Liner Notes
Partita, Fragments for Strings, Action Music
Music for Solo Performer
Vespers
Memory Space
I am sitting in a room
Quasimodo the Great Lover
The Queen of the South
RMSIM 1
Still and Moving Lines of Silence in Families of Hyperbolas
Bird and Person Dyning
Music on a Long Thin Wire
Shapes of the Sounds from the Board
Music for Pure Waves, Bass Drums and Acoustic Pendulums
Sferics
Crossings
Seesaw
Spinner
In Memoriam Jon Higgins
Serenade
Septet
Homage to James Tenney
Kettles
Fideliotrio
Silver Streetcar for the Orchestra
Self-Portrait
Nothing Is Real
Music for Piano with Amplified Sonorous Vessels
Amplifier and Reflector One
Navigations for Strings
Possible Time and Motion Reversals
Music for Piano with One or More Snare Drums
Music for Piano with Slow Sweep Pure Wave Oscillators
Six Geometries
Sol 432
StacksMusic for Piano with Half-closed Lid
In Memoriam Stuart Marshall
Serenade
Panorama
Serenade
Wind Shadows, Distant Drums, Music for Gamelan Instruments Microphones,
Amplifiers and Loudspeakers
Disappearances
The Sacred Fox
Spira Mirabilis
Spider Paths
Two Stones
Unamuno
Night Sounds with Flame
Sierpinski Lines
Chinese Space
Theme
Music for Piano with Magnetic Strings
Still Lives
Sound on Glass
Empty Vessels
Small Waves
Opera with Objects
Wave Painting Songs
Heavier than Air
On a Carpet of Leaves Illuminated by the Moon
Piper
Ovals
Almost New York
Ever Present
Charles Curtis
Fan
Tapper
Coda Variations
Man Ray
Twonings
Broken Line
Bumps
Slices
Trio for Clarinet Cello and Six-valve Tuba
Miniature
ICEcles
Check
Two Circles
Braid
Codex
Criss Cross
Palimpsest
Shadow Lines
Orpheus Variations
Hanover
Gondola
Audibles
Love Song
Sickle
Double Helix
V
Flight Paths
Tilted Arc
Corner Church and High
Monteverdi Shapero
Halo, Bone Moon
Arrigoni Bridge
Flips
Key West
Three Cardboard Boxes
List of Works
Text Credits
Photo Credits
Index of Names
| Besetzung: | Musikbücher, Musikwissenschaft |
| Schwierigkeit: | 0 |
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